by Rachel A. Marks
July 1st 2015
Summary from Goodreads:
Aidan O’Linn’s childhood ended the night he saw a demon kill his mother and mark his sister, Ava, with Darkness. Since then, every three years the demons have returned to try to claim her. Living in the gritty, forgotten corners of Los Angeles, Aidan has managed to protect his sister, but he knows that even his powers to fight demons and speak dead languages won’t keep her safe for much longer.
In desperation, Aidan seeks out the help of Sid, the enigmatic leader of a group of teens who run LA Paranormal, an Internet reality show that fights demons and ghosts. In their company, Aidan believes he’s finally found a haven for Ava. But when he meets Kara, a broken girl who can spin a hypnotic web of passionate energy, he awakens powers he didn’t know he had―and unleashes a new era of war between the forces of Light and the forces of Darkness.
With the fate of humanity in his hands, can Aidan keep the Darkness at bay and accept his brilliant, terrifying destiny?
Buy Links:
Amazon│Barnes & NobleExcerpt
DARKNESS BRUTAL
I let the pulse of the music coat me and mute my surroundings. A
mass of people crowd the dance floor of the club, and I sit on an abandoned
couch in the corner. The lights beat at the air in blues and greens, and bodies
twist and merge to the thunder. I lean back, close my eyes, and try to get lost
in it, the smells and sounds of people and their collective high.
Something moves next
to me. I look over to find a girl sprawled on the seat beside me, trying to
catch her breath. She’s not dressed in the usual club gear, more like a girl
who got lost on her way to a beach party: Hurley T-shirt, jean skirt, and red
Converse. Her cheeks are flushed pink; her throat and forehead glitter with
sweat. She glances at me like she didn’t know I was there. She licks her upper
lip, her eyes not leaving mine. Then she says something I can’t hear.
I point to my ear and
shake my head.
She smiles and
laughs, lighting up the space around her. She rests her hand on my arm, like
we’re friends and I just told her the most hilarious joke, and then she gets up
and disappears into the mass of bodies again.
My arm tingles, my
body reacting to the moment of contact in a sudden and disconcerting way. I
think I’ve had my fill of watching people indulge their baser instincts. I need
to get out of here.
The beat of the music
speeds up, vibrating faster as I move through the crowd. I try not to touch
anyone, which is nearly impossible. All the emotions and appetites are
overwhelming, as if the rising rhythm of the music makes their yearnings rise,
too. Lust buzzes in the air. A hunger stirs in me, a gaping hole, needing to be
filled. With touch.
The touch of female
fingers. A hand on my arm, taking my wrist, pulling me into the fray, into the
pressing bodies. And I don’t try to escape. I let her take me.
Because I’m tired.
Because I’m a
dumbass.
A girl moves in front
of me—not the Hurley girl, not the one I was hoping for. She presses closer, so
close I can almost taste the salty perspiration on her skin. She has thin,
birdlike shoulders, a swan neck, a heart-shaped face, and black hair, long and
tangled, turning blue and green with the light. Her hands slide up my chest.
She wraps her arms around my neck and tilts her head to look up at me.
Her lips are full and
painted dark purple. There’s a dimple in her left cheek that gets deeper with
her growing smile. And her eyes . . .
Fog fills my head for
a second, interrupting my thoughts.
“Hi,” she mouths,
calling attention to her lips again.
And then she’s rising
up on her toes, pulling me down to her, twisting her fingers in my hair, her
lips smashing against mine.
My body buzzes from
her touch, and my hands react, drawing her into me. I drink her in. She tastes
like the air around me, hunger and urgency, and—
Green apple Jolly
Ranchers?
I grip her sides, her
ribs so delicate beneath my fingers. The sweet tang of her teases me, the
hunger becoming a monster deep inside. I have to press her closer, tighter, try
to feed it, as I feel the fire of her need link with mine.
She pulls back a
little and looks at me with wide eyes, like she’s shocked. That’s when I see
the mark, a glowing, blue-inked line of what looks like Chinese symbols,
trailing down the nape of her neck to her shoulder blade. Symbols that I’m
suddenly sure mean: touch this girl at your own risk.
It’s the only thing I
see for a second: Beware. Beware.
Until her energy
reaches for me, wispy tendrils of blue light wrapping their way around my
wrists and snaking up my chest.
I jerk away, into the
guy behind me, stepping on his girlfriend’s toes. I get shoved— thankfully
farther from the hypnotic girl—through a space in the crowd, saying a hundred
excuse-me’s even though I know no one can hear them. I find my way out of the
press of bodies to the edge of the room again where it’s safe.
It’s time to leave. I
should’ve left an hour ago.
DARKNESS BRUTAL
I let the pulse of the music coat me and mute my surroundings. A
mass of people crowd the dance floor of the club, and I sit on an abandoned
couch in the corner. The lights beat at the air in blues and greens, and bodies
twist and merge to the thunder. I lean back, close my eyes, and try to get lost
in it, the smells and sounds of people and their collective high.
Something moves next
to me. I look over to find a girl sprawled on the seat beside me, trying to
catch her breath. She’s not dressed in the usual club gear, more like a girl
who got lost on her way to a beach party: Hurley T-shirt, jean skirt, and red
Converse. Her cheeks are flushed pink; her throat and forehead glitter with
sweat. She glances at me like she didn’t know I was there. She licks her upper
lip, her eyes not leaving mine. Then she says something I can’t hear.
I point to my ear and
shake my head.
She smiles and
laughs, lighting up the space around her. She rests her hand on my arm, like
we’re friends and I just told her the most hilarious joke, and then she gets up
and disappears into the mass of bodies again.
My arm tingles, my
body reacting to the moment of contact in a sudden and disconcerting way. I
think I’ve had my fill of watching people indulge their baser instincts. I need
to get out of here.
The beat of the music
speeds up, vibrating faster as I move through the crowd. I try not to touch
anyone, which is nearly impossible. All the emotions and appetites are
overwhelming, as if the rising rhythm of the music makes their yearnings rise,
too. Lust buzzes in the air. A hunger stirs in me, a gaping hole, needing to be
filled. With touch.
The touch of female
fingers. A hand on my arm, taking my wrist, pulling me into the fray, into the
pressing bodies. And I don’t try to escape. I let her take me.
Because I’m tired.
Because I’m a
dumbass.
A girl moves in front
of me—not the Hurley girl, not the one I was hoping for. She presses closer, so
close I can almost taste the salty perspiration on her skin. She has thin,
birdlike shoulders, a swan neck, a heart-shaped face, and black hair, long and
tangled, turning blue and green with the light. Her hands slide up my chest.
She wraps her arms around my neck and tilts her head to look up at me.
Her lips are full and
painted dark purple. There’s a dimple in her left cheek that gets deeper with
her growing smile. And her eyes . . .
Fog fills my head for
a second, interrupting my thoughts.
“Hi,” she mouths,
calling attention to her lips again.
And then she’s rising
up on her toes, pulling me down to her, twisting her fingers in my hair, her
lips smashing against mine.
My body buzzes from
her touch, and my hands react, drawing her into me. I drink her in. She tastes
like the air around me, hunger and urgency, and—
Green apple Jolly
Ranchers?
I grip her sides, her
ribs so delicate beneath my fingers. The sweet tang of her teases me, the
hunger becoming a monster deep inside. I have to press her closer, tighter, try
to feed it, as I feel the fire of her need link with mine.
She pulls back a
little and looks at me with wide eyes, like she’s shocked. That’s when I see
the mark, a glowing, blue-inked line of what looks like Chinese symbols,
trailing down the nape of her neck to her shoulder blade. Symbols that I’m
suddenly sure mean: touch this girl at your own risk.
It’s the only thing I
see for a second: Beware. Beware.
Until her energy
reaches for me, wispy tendrils of blue light wrapping their way around my
wrists and snaking up my chest.
I jerk away, into the
guy behind me, stepping on his girlfriend’s toes. I get shoved— thankfully
farther from the hypnotic girl—through a space in the crowd, saying a hundred
excuse-me’s even though I know no one can hear them. I find my way out of the
press of bodies to the edge of the room again where it’s safe.
It’s time to leave. I
should’ve left an hour ago.
Darkness Fair (The Dark Cycle #2)
Release Date: February 2nd 2016
Summary from Goodreads:
Against the backdrop of an ancient battle between the forces of Light and the forces of Darkness, Aidan struggles to control the newly awakened powers that seem to be his only hope for rescuing his little sister Ava, who is now trapped somewhere beyond the Veil. As he gravitates to Kara, the beguiling and dangerously unstable girl who helped him realize his abilities, a terrible mistake of fate is revealed that points him back toward Rebecca, whose role is becoming more critical to the battle. And no matter what his heart wants, it might be too late to stop the pieces already in motion.
Without knowing the sacrifices that will be required of them, Aidan and his motley crew of friends—each with their own role to play—must face the demon threat head-on. They’re the only ones keeping the growing army of Darkness at bay, and if they fail, the future of humanity could be lost.
Pre-order Links:
Amazon│Barnes & NobleExcerpt
DARKNESS FAIR - Chapter One
I never would’ve come on this job
if I’d known it involved a demon. But last night during the briefing, Sid acted
like it didn’t even involve anything paranormal.
“Probably just a
human thing,” he said. “We can wave a little smoke, give the client a prayer or
two, maybe one of Holly’s happy cookies, and the nice lady will be feeling
better in no time.”
Not exactly.
Standing here looking at the client’s massive living room that’s piled to the
ceiling with stuff, I can tell this won’t be as easy as appeasing a grumpy
five-year-old.
“You should’ve
brought Connor,” I mumble to Sid as I survey the mess around us. The thing is here somewhere. I can smell its
rotten-egg ass even over the stale air and must coming from the clutter. Mountains
of junk rim the walls and cover almost every inch of what looks like a very
expensive marble floor. “I can’t believe you dragged me here.” It’s my first
time on a job site since everything went to hell four weeks ago—literally.
If Sid heard my
complaint about being here on the job, he isn’t acting like it. He’s just
smiling his salesman smile and listening intently to the large woman in the
silk muumuu on the leather couch as she tells him how her cat tried to eat her
last week. She looks young, midthirties. Too young to be wearing a muumuu and
living in this filthy place. A bit of bandage peeks out from under her flowery
sleeve. There’s an angry-looking scratch on her neck, too. She ended up in the
ER with twelve stitches from the attack.
“Fluffy keeps
leaving dead mice lying around, dead rats, even floppy gophers,” she says, her
face wrinkling with disgust. “Dead all-sorts-a-stuff everywhere. It’s starting
to stink no matter which room I sit in, and I can’t take it anymore. I can’t
seem to escape it. And then this happened.” She motions to the scratches on her
neck.
I smell the death,
but the odor is layered with the putrid stink from rotten food, moldy boxes
stacked end to end, and piles of clothes mixed with God-knows-what. Not to
mention the sulfur wafting around from whatever demon is hiding in this place.
How can this woman tell one gross thing from another?
Sid crunches his way
over some debris to sit beside the client on the five inches of couch space
still available.
“You rest easy,” he
says as he pats her broad shoulder. “My boy, Aidan here, will take care of
anything that’s gone wrong.” He motions toward where I’m standing by a stack of
magazines and DVDs, and the woman looks at me for the first time since Sid and
I walked through the door.
Her eyes grow a
little when she studies my face, my hair, her gaze taking in the markings on my
hand and arm for a few seconds longer than normal.
I really should be
used to the staring by now. Ever since my “change,” or whatever we’re calling
it, strangers seem to think I’m either something to marvel at . . . or
something to fear. It makes me wonder what they’re sensing. Just one of the
reasons I like staying at the house and leaving the jobs to the others.
She gives me a half
smile, half grimace, her lips tightening over her teeth, then she turns back to
Sid. “I’m not sure what else I can do. I’ll pay you whatever you want, just
please, fix Fluffy. He’s all I have left now.” Her voice shakes a little and
she points to something near her foot that looks like a plastic box. No, a cat
carrier. I hadn’t noticed it among the piles of clutter.
Something moves
inside the carrier. A shadow. The cat? A hiss emerges, like an answer, and the
smell of sulfur billows out even thicker.
A shiver runs
through me.
Sid leans on his
cane and stands up from his spot beside the woman as he runs a hand over his
bald head. Then he hesitates, like he smells it, too. He steps back, studying
the carrier, then looks sideways at me, a question on his face.
Could the cat be
possessed?
Or maybe the cat
isn’t a cat.
“So, Ms. Bentley.”
Sid clears his throat. “How long have you had, um, the, um . . . Fluffy?” He
tries to move back toward me, but stumbles over a box marked As Seen on TV, before steadying himself on a
nearby coatrack—his arm tangles in the strap of one of the very large bras
hanging from the hook. He doesn’t seem to notice, though; his eyes still
haven’t left the small cat carrier at the client’s feet.
“He was a
neighborhood stray,” she says, sounding deflated. “I took him in a month ago,
shortly after . . . after my mother died. She hated cats, so I was never able
to have one. And Fluffy was such a sweet thing.” Her eyes glisten with growing
sadness.
She puckers her lips
like she’s holding something in. Finally, she says, “Until a few days ago, he
was all cuddles and smooches.”
Well, now Fluffy is
all talons and teeth.
“Very sorry.” Sid
finishes making his way over to me and pats me on the shoulder, very
fatherly-like. “Aidan will need to look at the, uh, the . . . your Fluffy.”
I turn to him. “Will
I?”
He nods. “The show
must go on, my boy.”
Really? Must
it?
Didn’t Shakespeare
say we’re all actors on the stage of life, or something? Well, Sid takes that
notion very seriously. The twenty-four-year-old magician is always playing some
part or another to fit the game.
He nudges me again
and whispers sideways, “I know you’ve been wanting to jump back in, so here you
go. Just see what you can accomplish. It’s in a cage and all that.” He waves
his arm as if he’s just explained how to go about this.
I glare at him and
shake my head. “You’re an ass.”
He lets out a fake
laugh and gives the client a look like, Aren’t
teenagers impossible? “It’s
a preliminary test, Aidan. So we know what we’re dealing with.”
I sigh. As much as I
don’t want anything to do with this job, I need to start figuring out my power.
It feels like it’s growing, every day, bigger and louder, like a ringing in my
ears. It’s pushing now, this weird urgency, making me itch to . . . well, kill.
It’s terrifying.
I need to get these
new urges under control. And if I want to kill a demon again so badly, why not
give it a whirl?
I’m wearing my
amulet, so if a corporeal demon is in that carrier instead of a cat, then it
won’t see me. However, if the demon is possessing
the cat, using the
cat’s eyes to see, then I’m about to be discovered.
I take a deep breath
and step closer to get a look. Following the boss’s orders.
Ms. Bentley leans
toward her innocent Fluffy.
I crouch down to get
a clearer view, avoiding the trash at my feet.
The cat hisses and
its plastic carrier jerks and clangs. But the thing’s not looking at me, it’s
more like it’s sensing danger, its hackles rising. And then I see tiny horns
beside the ears, and thorn-like protrusions on its back through grey-striped
fur. Its eyes dart around the room—eyes like light reflecting off a pool of
oil. Its teeth are shiny silver.
Not an actual cat.
An actual corporeal demon. Check.
This lady is lucky
all the thing did was set her up with a few stitches. It could’ve scratched off
her face entirely.
Prickles work over
my skin as I stare at the thing. Corporeal demons are somehow less disgusting
than the ones I see on the other side of the Veil. The ones that manage to get
called up by witches and cross over to the physical plane are always trying to
masquerade as something they’re not, and sometimes they suck at it—like Fluffy
here, a cat with horns. Yes, they’re still creepy, just not as creepy as when
they’re full monty in their spiritual form.
Looking at it makes
the strange new urges in my gut stir, reminding me that I’m a killer now.
Officially.
“Thank you, ma’am,”
I say, quickly standing, itching to run but not wanting to scare the woman
more.
I stumble back to
Sid’s side and say under my breath, “We’re done here.”
“What sort of help
will you be if you leave?” Ms. Bentley rests a hand on the carrier, as if
comforting the demon inside. “We need help.”
A corporeal demon as
a pet. That’s definitely new. I wonder how she hasn’t noticed Fluffy’s oddities.
I mean, horns? Come on.
Maybe the fumes from
the rotting crap in the house have messed with her head.
Sid clears his
throat and waves an arm as if trying to keep her calm with hand gestures. “It’s
all right, Ms. Bentley. It’s merely that your cat may be possessed and in need
of an exorcism.”
I turn and gape at
him, wondering why he’d spit that out right now.
She gasps and
clutches her muumuu to her chest with a meaty fist.
I nudge Sid. “But my
boss and I should maybe discuss it and get back to you.” Sid’s reading this all
wrong. Not surprising, since the guy is slowly losing his senses from staying
too long in this time. But I’m not a fan of him blurting out made-up shit to
the clients before we’ve agreed on what shit can be said out loud.
“I’m paying you to
fix this now!” she says. “I can’t leave poor Fluffy in a cage forever.”
“We’ll call you,” I
say, shoving Sid toward the door before he can say anything else stupid.
Sid trips over a
karaoke machine and nearly dives into the wall headfirst. But somehow he looks
graceful about it, with his thin limbs and delicate fingers reaching out like a
dancer’s. “Don’t let it out of the cage. We’ll call you tonight,” he says,
righting himself effortlessly with his cane. “And we’ll try to get help here in
the morning. Just, please, keep it locked up until then.”
She stands, watching
us maneuver our way out of the living room. “One more day!” she hollers with a
catch in her voice before the door closes behind us, leaving us on the porch.
I need a shower.
DARKNESS FAIR - Chapter One
I never would’ve come on this job
if I’d known it involved a demon. But last night during the briefing, Sid acted
like it didn’t even involve anything paranormal.
“Probably just a
human thing,” he said. “We can wave a little smoke, give the client a prayer or
two, maybe one of Holly’s happy cookies, and the nice lady will be feeling
better in no time.”
Not exactly.
Standing here looking at the client’s massive living room that’s piled to the
ceiling with stuff, I can tell this won’t be as easy as appeasing a grumpy
five-year-old.
“You should’ve
brought Connor,” I mumble to Sid as I survey the mess around us. The thing is here somewhere. I can smell its
rotten-egg ass even over the stale air and must coming from the clutter. Mountains
of junk rim the walls and cover almost every inch of what looks like a very
expensive marble floor. “I can’t believe you dragged me here.” It’s my first
time on a job site since everything went to hell four weeks ago—literally.
If Sid heard my
complaint about being here on the job, he isn’t acting like it. He’s just
smiling his salesman smile and listening intently to the large woman in the
silk muumuu on the leather couch as she tells him how her cat tried to eat her
last week. She looks young, midthirties. Too young to be wearing a muumuu and
living in this filthy place. A bit of bandage peeks out from under her flowery
sleeve. There’s an angry-looking scratch on her neck, too. She ended up in the
ER with twelve stitches from the attack.
“Fluffy keeps
leaving dead mice lying around, dead rats, even floppy gophers,” she says, her
face wrinkling with disgust. “Dead all-sorts-a-stuff everywhere. It’s starting
to stink no matter which room I sit in, and I can’t take it anymore. I can’t
seem to escape it. And then this happened.” She motions to the scratches on her
neck.
I smell the death,
but the odor is layered with the putrid stink from rotten food, moldy boxes
stacked end to end, and piles of clothes mixed with God-knows-what. Not to
mention the sulfur wafting around from whatever demon is hiding in this place.
How can this woman tell one gross thing from another?
Sid crunches his way
over some debris to sit beside the client on the five inches of couch space
still available.
“You rest easy,” he
says as he pats her broad shoulder. “My boy, Aidan here, will take care of
anything that’s gone wrong.” He motions toward where I’m standing by a stack of
magazines and DVDs, and the woman looks at me for the first time since Sid and
I walked through the door.
Her eyes grow a
little when she studies my face, my hair, her gaze taking in the markings on my
hand and arm for a few seconds longer than normal.
I really should be
used to the staring by now. Ever since my “change,” or whatever we’re calling
it, strangers seem to think I’m either something to marvel at . . . or
something to fear. It makes me wonder what they’re sensing. Just one of the
reasons I like staying at the house and leaving the jobs to the others.
She gives me a half
smile, half grimace, her lips tightening over her teeth, then she turns back to
Sid. “I’m not sure what else I can do. I’ll pay you whatever you want, just
please, fix Fluffy. He’s all I have left now.” Her voice shakes a little and
she points to something near her foot that looks like a plastic box. No, a cat
carrier. I hadn’t noticed it among the piles of clutter.
Something moves
inside the carrier. A shadow. The cat? A hiss emerges, like an answer, and the
smell of sulfur billows out even thicker.
A shiver runs
through me.
Sid leans on his
cane and stands up from his spot beside the woman as he runs a hand over his
bald head. Then he hesitates, like he smells it, too. He steps back, studying
the carrier, then looks sideways at me, a question on his face.
Could the cat be
possessed?
Or maybe the cat
isn’t a cat.
“So, Ms. Bentley.”
Sid clears his throat. “How long have you had, um, the, um . . . Fluffy?” He
tries to move back toward me, but stumbles over a box marked As Seen on TV, before steadying himself on a
nearby coatrack—his arm tangles in the strap of one of the very large bras
hanging from the hook. He doesn’t seem to notice, though; his eyes still
haven’t left the small cat carrier at the client’s feet.
“He was a
neighborhood stray,” she says, sounding deflated. “I took him in a month ago,
shortly after . . . after my mother died. She hated cats, so I was never able
to have one. And Fluffy was such a sweet thing.” Her eyes glisten with growing
sadness.
She puckers her lips
like she’s holding something in. Finally, she says, “Until a few days ago, he
was all cuddles and smooches.”
Well, now Fluffy is
all talons and teeth.
“Very sorry.” Sid
finishes making his way over to me and pats me on the shoulder, very
fatherly-like. “Aidan will need to look at the, uh, the . . . your Fluffy.”
I turn to him. “Will
I?”
He nods. “The show
must go on, my boy.”
Really? Must
it?
Didn’t Shakespeare
say we’re all actors on the stage of life, or something? Well, Sid takes that
notion very seriously. The twenty-four-year-old magician is always playing some
part or another to fit the game.
He nudges me again
and whispers sideways, “I know you’ve been wanting to jump back in, so here you
go. Just see what you can accomplish. It’s in a cage and all that.” He waves
his arm as if he’s just explained how to go about this.
I glare at him and
shake my head. “You’re an ass.”
He lets out a fake
laugh and gives the client a look like, Aren’t
teenagers impossible? “It’s
a preliminary test, Aidan. So we know what we’re dealing with.”
I sigh. As much as I
don’t want anything to do with this job, I need to start figuring out my power.
It feels like it’s growing, every day, bigger and louder, like a ringing in my
ears. It’s pushing now, this weird urgency, making me itch to . . . well, kill.
It’s terrifying.
I need to get these
new urges under control. And if I want to kill a demon again so badly, why not
give it a whirl?
I’m wearing my
amulet, so if a corporeal demon is in that carrier instead of a cat, then it
won’t see me. However, if the demon is possessing
the cat, using the
cat’s eyes to see, then I’m about to be discovered.
I take a deep breath
and step closer to get a look. Following the boss’s orders.
Ms. Bentley leans
toward her innocent Fluffy.
I crouch down to get
a clearer view, avoiding the trash at my feet.
The cat hisses and
its plastic carrier jerks and clangs. But the thing’s not looking at me, it’s
more like it’s sensing danger, its hackles rising. And then I see tiny horns
beside the ears, and thorn-like protrusions on its back through grey-striped
fur. Its eyes dart around the room—eyes like light reflecting off a pool of
oil. Its teeth are shiny silver.
Not an actual cat.
An actual corporeal demon. Check.
This lady is lucky
all the thing did was set her up with a few stitches. It could’ve scratched off
her face entirely.
Prickles work over
my skin as I stare at the thing. Corporeal demons are somehow less disgusting
than the ones I see on the other side of the Veil. The ones that manage to get
called up by witches and cross over to the physical plane are always trying to
masquerade as something they’re not, and sometimes they suck at it—like Fluffy
here, a cat with horns. Yes, they’re still creepy, just not as creepy as when
they’re full monty in their spiritual form.
Looking at it makes
the strange new urges in my gut stir, reminding me that I’m a killer now.
Officially.
“Thank you, ma’am,”
I say, quickly standing, itching to run but not wanting to scare the woman
more.
I stumble back to
Sid’s side and say under my breath, “We’re done here.”
“What sort of help
will you be if you leave?” Ms. Bentley rests a hand on the carrier, as if
comforting the demon inside. “We need help.”
A corporeal demon as
a pet. That’s definitely new. I wonder how she hasn’t noticed Fluffy’s oddities.
I mean, horns? Come on.
Maybe the fumes from
the rotting crap in the house have messed with her head.
Sid clears his
throat and waves an arm as if trying to keep her calm with hand gestures. “It’s
all right, Ms. Bentley. It’s merely that your cat may be possessed and in need
of an exorcism.”
I turn and gape at
him, wondering why he’d spit that out right now.
She gasps and
clutches her muumuu to her chest with a meaty fist.
I nudge Sid. “But my
boss and I should maybe discuss it and get back to you.” Sid’s reading this all
wrong. Not surprising, since the guy is slowly losing his senses from staying
too long in this time. But I’m not a fan of him blurting out made-up shit to
the clients before we’ve agreed on what shit can be said out loud.
“I’m paying you to
fix this now!” she says. “I can’t leave poor Fluffy in a cage forever.”
“We’ll call you,” I
say, shoving Sid toward the door before he can say anything else stupid.
Sid trips over a
karaoke machine and nearly dives into the wall headfirst. But somehow he looks
graceful about it, with his thin limbs and delicate fingers reaching out like a
dancer’s. “Don’t let it out of the cage. We’ll call you tonight,” he says,
righting himself effortlessly with his cane. “And we’ll try to get help here in
the morning. Just, please, keep it locked up until then.”
She stands, watching
us maneuver our way out of the living room. “One more day!” she hollers with a
catch in her voice before the door closes behind us, leaving us on the porch.
I need a shower.
Author Bio
About the Author
Rachel A. Marks is an award-winning author and professional artist, a cancer survivor, a surfer and dirt-bike rider, chocolate lover and keeper of faerie secrets. She was voted: Most Likely to Survive the Zombie Apocalypse, but hopes she'll never have to test the theory. Her debut novel is DARKNESS BRUTAL, the 1st installment in The Dark Cycle. Book 2 releases February 2nd, 2016 and is titled, DARKNESS FAIR.
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